History of Talavera

Puebla’s Talavera Earthenware Pottery

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Talavera Plates from MexicoWorks of art good enough to eat off – that’s the essence of Talavera pottery.

The Mexican pottery, which has been around for 400 years and is primarily made in Puebla City, is an artistic and practical achievement. Vases, cups, plates, serving bowls, and tiles, called azulejos, are some of the items I saw being made in Uriate Talavera factory where the highly regarded, expensive pottery is hand made. The factory, which was established in 1824, is one of Puebla city’s most renowned because it is one of the few authentic Talavera workshops left today. Talavera is one of Mexico’s most unique items, making it a worthwhile gift to bring home.

Puebla City is located sixty miles southeast of Mexico City, making it a convenient hop, skip, and a jump away – and a convenient escape – from Mexico City, which is the world’s largest. Puebla City, which is also the capital of the same name state, is the country’s fourth largest urban center. Approximately two million people live there. The residents, who call themselves poblanos, live in the most European of all of Mexico’s colonial cities. The Spanish established and planned the 16th century city from the  ground up, rather than building it within an existing indigenous community. They did this because the location was on the main route between Mexico City and Veracruz, which was at that time the most important port in the country. Puebla City is situated at a height of 7,000 feet above sea level and is  blessed with a temperate, year round climate.

While the Spanish may have first introduced the highly decorative art from their home country when they settled in the heart of Mexico, diverse artistic styles, including Moorish and Oriental cultural nuances transformed the colonizer’s craft to what it is today. The Moorish influence of cobalt blue patterns on white appeared on Mexican pottery around the late 15th century, while the Oriental styles of animals and floral designs were first seen in the mid-16th century. To be authentic, Talavera pottery (named after a town in Spain) must be hand-painted in intricate designs using natural dyes derived from minerals. The colors used include blue, black, yellow, green and reddish pink.   During a ninety-minute tour of the factory, we learned just how long it takes to make these detailed works of art. And while the pottery is expensive to purchase, even at the point of production, our tour helped us understand why. The factory usually offers free tours that are shorter, but our group of writers was interested in learning minute details about how the pottery is made.

First, black or white clay is soaked for several days in water to soften it, said Angela Garcia, the cheerful tour guide who patiently answered all our questions. Both colors give the same end pink result, she said, but only clays from four areas, Puebla, Cholula, Tecalli and Amococ, are used in making Talavera pottery. A sieve is used to strain the clay, which breaks it into fine, uniform particles that will give the earthenware a smoother finish. The clay is then left in vats for several days to separate out the water.

Next, a potter molds the clay, sometimes by hand, and at other times with a potter’s wheel, after which he or she rubs it with a damp sponge to create a fine finish. The molded clay is left in the sun to dry for up to five days, depending on its size. Once the pottery is thoroughly dry, it is baked for about eight hours at 2000 degrees Fahrenheit in a handmade brick oven. We observed employees banging the pottery with a steel stick to check if there were any tiny hidden cracks. “The pottery should sound like a bell” if there  are no cracks, Garcia said. The fire-worked clay is then dipped for about three seconds in a lead-free yellow-like glaze which turns to white once dry, and “any tiny imperfections are reglazed,” Garcia said. “The fingerprint made while lifting the item out of the glaze is also filed down,” she added.

The individual creative paintwork which is done on each piece by the factory’s fifteen painters comes next. The designs are transferred to the ceramic by the use of carbon paper on a paper stencil, and the resulting dot pattern is then used as a guide for the handpainted designs. The length of time it takes to finish painting a ceramic piece depends on how intricate the design is and the size of each piece, the guide explained. When we visited, artists were painting huge urns, small serving dishes and 18 tiles that comprised the picture of the Virgin Mary.

When dry, the paint’s mineral colors change composition. Orange changes to yellow, black to green, brown to red, and light blue becomes dark blue, Garcia said. The earthenware objects are once again oven-fired, resulting in a hard, brightly colored surface. The pieces are now ready to be sold, either in the factory’s on-site shop or abroad, including the United States, Canada, Spain, Venezuela, and Peru. About 70 pieces a day are made by the approximately 200 employees, a sign of just how labor intensive the creative process is.

Jose Luis Hernandez from the local tourist office scraped the surface of a tile to demonstrate the high quality workmanship. The tile showed no signs of damage, a proof of its high quality, said the official who’d accompanied the writing group to the factory. “Although the prices are high, the pottery is  genuine” and not all local shops are selling the real thing, he emphasized.

Besides a visit to the pottery factory, the city’s compact, historic downtown is famous for the many 17th and 18th century colonial buildings that are ornately decorated with Talavera tiles. With more than seventy churches and one thousand colonial buildings in the central area alone, visitors feel like they are walking around an open air museum.

An outstanding use of 16th century Talavera tile is found in the former kitchen in the Ex-Convento de Santa Rosa de Lima. The building is now the state artisan museum, or Museo de Artesanias del Estado. The kitchen’s huge, multi-domed interior is covered from top to bottom with the famous tilework.  However, what may be even more interesting for the locals is what’s said to have been invented there – Puebla’s renowned mole sauce. The dark colored sauce, which can contain up to one hundred ingredients, is supposed to have been invented by the Dominican nuns as a surprise for their demanding gourmet bishop. Mole sauces, which have many different flavors, generally contain fresh and smoked chile, pepper, peanuts, almonds, tomato, onion, spices, and, of course, chocolate, of which the best known is made with a bitter variety. Food supplies in the kitchen were cleverly kept cool by a double wall that had water running in between.

The Museum of Santa Monica is another worthwhile stop. Generations of nuns secretly hid there when the Reform Laws of 1857 closed church-owned buildings after Benito Juarez separated church and state. To survive, the nuns sold candies and embroideries during almost eight decades of clandestine activity.

The museum houses religious art and items of self-flagellation, including whips and crowns of thorns in some of the former nuns’ penance rooms.

The Cathedral of the Immaculate Conception is considered one of Mexico’s best proportioned cathedrals, is the second largest in the country, and also has the highest towers. Built between 1575 and 1649, the main altar has sixteen marble columns, and the large floor and several statues are also made of the same  material. Gold leaf decoration is used in some of the many chapels, and a huge bronze statue of the Virgin Mary weighs 300 tons. When I visited, a priest was hearing a penitent’s confession without the usual private door separating them.

The Amparo Museum has an excellent collection of pre-Hispanic and colonial artifacts displayed in two linked colonial buildings whose architecture was influenced by indigenous designs. A glass case displayed an unidentified animal and perhaps a man about to be sacrificed in Veracruz some 2,500 years  ago, and there were also Olmec masks, a feature of Olmec civilization three millennia ago. The museum, which opened in 1991, was the first in the world to have a computerized touch screen that answers visitors’ questions about museum artifacts.

The House of the Puppets, near the main square, is the city’s most comical structure. The building’s exaggerated statues are a caricature of the city fathers who took the house’s owner, Agustin de Ovando y Villavicencio, to court because his building was taller than theirs. He added the statues, which represented various officials, to get his revenge on the small-minded officials.

The Barrio del Artista, on the pedestrian-only Calle 8 Norte, is a lovely place to wander around while looking at artists at work in their open studios. Their paintings can also be purchased. The imposing principal theater, or Teatro Principal, is nearby.

Other unusual but-worth-visiting-places, which I didn’t have time to see, include the African Safari Park, reputed to be one of the best places in Mexico for African wildlife. The park is located about ten miles southeast of the city. I also didn’t have time to visit the house of culture, or Casa de la Cultura, a classic brick and tile Puebla building that occupies a block facing the cathedral. Formerly the bishop’s palace, it is now home to the tourist and other government offices. The Palafox Library upstairs has thousands of valuable books, including the 1493 Nuremberg Chronicle which has more the 2,000 engravings.

Puebla is noted for its cuisine, and many consider it to be the best in the country. It’s believed that the Santa Monica nuns (cooking rivals to the mole-making Dominican nuns) invented chiles en nogada, a seasonal dish that’s available from July to September. It’s said to have been created in 1821 to  honor Agustin de Iturbide, the first ruler after Mexico’s independence. To make chiles en nogada, a poblano chilli is filled with ground meats and fruits. It is then covered with a sauce of chopped walnuts and cream, and topped with red pomegranate seeds. The overall effect is colors representing the green, white and red of the Mexican flag.

For deserts, Sweets Street, as its name implies, sells almost nothing but things-bad-for-the-teeth –  candies, including camote, a popular regional treat made from sweet potatoes and fruit, and cochinitos, which is made of bread, molasses and sugar. Famous treats from other regions like crystallized fruits, coconut candies, and bisnaga, a sweet made from cactus and sugar boiled together, are also available in the many sweet-tasting stores.

Sweets Street was a fitting ending to a city well worth a return visit.

This article is from the August 2001 – September 2001 The Mexico File newsletter. Back Issues and Subscriptions available.

Yvonne Moran is a freelance writer and a former general assignment daily reporter. Her stories have been published in The New York Times, Connecticut Post, The Advocate, Greenwich Time, Irish America Magazine and Fairfield County magazines, amongst others. She contributes travel stories to several websites and also writes for national Irish newspapers and magazines. She has been writing about travel for more than a decade. Yvonne contributed an article on Chiapas for the July 2001 issue of Mexico File. Yvonne can be reached through email at ymmoran@aol.com for comments and questions. For this article, she visited one of the Puebla’s most famous pottery factories, but discovered that the city offers a lot more besides.

Puebla’s Talavera Earthenware Pottery

by

MH456a - Talavera PlateWorks of art good enough to eat off – that’s the essence of Talavera pottery.

The Mexican pottery, which has been around for 400 years and is primarily made in Puebla City, is an artistic and practical achievement. Vases, cups, plates, serving bowls, and tiles, called azulejos, are some of the items I saw being made in Uriate Talavera factory where the highly regarded, expensive pottery is hand made. The factory, which was established in 1824, is one of Puebla city’s most renowned because it is one of the few authentic Talavera workshops left today. Talavera is one of Mexico’s most unique items, making it a worthwhile gift to bring home.

Puebla City is located sixty miles southeast of Mexico City, making it a convenient hop, skip, and a jump away – and a convenient escape – from Mexico City, which is the world’s largest. Puebla City, which is also the capital of the same name state, is the country’s fourth largest urban center. Approximately two million people live there. The residents, who call themselves poblanos, live in the most European of all of Mexico’s colonial cities. The Spanish established and planned the 16th century city from the  ground up, rather than building it within an existing indigenous community. They did this because the location was on the main route between Mexico City and Veracruz, which was at that time the most important port in the country. Puebla City is situated at a height of 7,000 feet above sea level and is  blessed with a temperate, year round climate.

While the Spanish may have first introduced the highly decorative art from their home country when they settled in the heart of Mexico, diverse artistic styles, including Moorish and Oriental cultural nuances transformed the colonizer’s craft to what it is today. The Moorish influence of cobalt blue patterns on white appeared on Mexican pottery around the late 15th century, while the Oriental styles of animals and floral designs were first seen in the mid-16th century. To be authentic, Talavera pottery (named after a town in Spain) must be hand-painted in intricate designs using natural dyes derived from minerals. The colors used include blue, black, yellow, green and reddish pink.   During a ninety-minute tour of the factory, we learned just how long it takes to make these detailed works of art. And while the pottery is expensive to purchase, even at the point of production, our tour helped us understand why. The factory usually offers free tours that are shorter, but our group of writers was interested in learning minute details about how the pottery is made.

First, black or white clay is soaked for several days in water to soften it, said Angela Garcia, the cheerful tour guide who patiently answered all our questions. Both colors give the same end pink result, she said, but only clays from four areas, Puebla, Cholula, Tecalli and Amococ, are used in making Talavera pottery. A sieve is used to strain the clay, which breaks it into fine, uniform particles that will give the earthenware a smoother finish. The clay is then left in vats for several days to separate out the water.

Next, a potter molds the clay, sometimes by hand, and at other times with a potter’s wheel, after which he or she rubs it with a damp sponge to create a fine finish. The molded clay is left in the sun to dry for up to five days, depending on its size. Once the pottery is thoroughly dry, it is baked for about eight hours at 2000 degrees Fahrenheit in a handmade brick oven. We observed employees banging the pottery with a steel stick to check if there were any tiny hidden cracks. “The pottery should sound like a bell” if there  are no cracks, Garcia said. The fire-worked clay is then dipped for about three seconds in a lead-free yellow-like glaze which turns to white once dry, and “any tiny imperfections are reglazed,” Garcia said. “The fingerprint made while lifting the item out of the glaze is also filed down,” she added.

The individual creative paintwork which is done on each piece by the factory’s fifteen painters comes next. The designs are transferred to the ceramic by the use of carbon paper on a paper stencil, and the resulting dot pattern is then used as a guide for the handpainted designs. The length of time it takes to finish painting a ceramic piece depends on how intricate the design is and the size of each piece, the guide explained. When we visited, artists were painting huge urns, small serving dishes and 18 tiles that comprised the picture of the Virgin Mary.

When dry, the paint’s mineral colors change composition. Orange changes to yellow, black to green, brown to red, and light blue becomes dark blue, Garcia said. The earthenware objects are once again oven-fired, resulting in a hard, brightly colored surface. The pieces are now ready to be sold, either in the factory’s on-site shop or abroad, including the United States, Canada, Spain, Venezuela, and Peru. About 70 pieces a day are made by the approximately 200 employees, a sign of just how labor intensive the creative process is.

Jose Luis Hernandez from the local tourist office scraped the surface of a tile to demonstrate the high quality workmanship. The tile showed no signs of damage, a proof of its high quality, said the official who’d accompanied the writing group to the factory. “Although the prices are high, the pottery is  genuine” and not all local shops are selling the real thing, he emphasized.

Besides a visit to the pottery factory, the city’s compact, historic downtown is famous for the many 17th and 18th century colonial buildings that are ornately decorated with Talavera tiles. With more than seventy churches and one thousand colonial buildings in the central area alone, visitors feel like they are walking around an open air museum.

An outstanding use of 16th century Talavera tile is found in the former kitchen in the Ex-Convento de Santa Rosa de Lima. The building is now the state artisan museum, or Museo de Artesanias del Estado. The kitchen’s huge, multi-domed interior is covered from top to bottom with the famous tilework.  However, what may be even more interesting for the locals is what’s said to have been invented there – Puebla’s renowned mole sauce. The dark colored sauce, which can contain up to one hundred ingredients, is supposed to have been invented by the Dominican nuns as a surprise for their demanding gourmet bishop. Mole sauces, which have many different flavors, generally contain fresh and smoked chile, pepper, peanuts, almonds, tomato, onion, spices, and, of course, chocolate, of which the best known is made with a bitter variety. Food supplies in the kitchen were cleverly kept cool by a double wall that had water running in between.

The Museum of Santa Monica is another worthwhile stop. Generations of nuns secretly hid there when the Reform Laws of 1857 closed church-owned buildings after Benito Juarez separated church and state. To survive, the nuns sold candies and embroideries during almost eight decades of clandestine activity.

The museum houses religious art and items of self-flagellation, including whips and crowns of thorns in some of the former nuns’ penance rooms.

The Cathedral of the Immaculate Conception is considered one of Mexico’s best proportioned cathedrals, is the second largest in the country, and also has the highest towers. Built between 1575 and 1649, the main altar has sixteen marble columns, and the large floor and several statues are also made of the same  material. Gold leaf decoration is used in some of the many chapels, and a huge bronze statue of the Virgin Mary weighs 300 tons. When I visited, a priest was hearing a penitent’s confession without the usual private door separating them.

The Amparo Museum has an excellent collection of pre-Hispanic and colonial artifacts displayed in two linked colonial buildings whose architecture was influenced by indigenous designs. A glass case displayed an unidentified animal and perhaps a man about to be sacrificed in Veracruz some 2,500 years  ago, and there were also Olmec masks, a feature of Olmec civilization three millennia ago. The museum, which opened in 1991, was the first in the world to have a computerized touch screen that answers visitors’ questions about museum artifacts.

The House of the Puppets, near the main square, is the city’s most comical structure. The building’s exaggerated statues are a caricature of the city fathers who took the house’s owner, Agustin de Ovando y Villavicencio, to court because his building was taller than theirs. He added the statues, which represented various officials, to get his revenge on the small-minded officials.

The Barrio del Artista, on the pedestrian-only Calle 8 Norte, is a lovely place to wander around while looking at artists at work in their open studios. Their paintings can also be purchased. The imposing principal theater, or Teatro Principal, is nearby.

Other unusual but-worth-visiting-places, which I didn’t have time to see, include the African Safari Park, reputed to be one of the best places in Mexico for African wildlife. The park is located about ten miles southeast of the city. I also didn’t have time to visit the house of culture, or Casa de la Cultura, a classic brick and tile Puebla building that occupies a block facing the cathedral. Formerly the bishop’s palace, it is now home to the tourist and other government offices. The Palafox Library upstairs has thousands of valuable books, including the 1493 Nuremberg Chronicle which has more the 2,000 engravings.

Puebla is noted for its cuisine, and many consider it to be the best in the country. It’s believed that the Santa Monica nuns (cooking rivals to the mole-making Dominican nuns) invented chiles en nogada, a seasonal dish that’s available from July to September. It’s said to have been created in 1821 to  honor Agustin de Iturbide, the first ruler after Mexico’s independence. To make chiles en nogada, a poblano chilli is filled with ground meats and fruits. It is then covered with a sauce of chopped walnuts and cream, and topped with red pomegranate seeds. The overall effect is colors representing the green, white and red of the Mexican flag.

For deserts, Sweets Street, as its name implies, sells almost nothing but things-bad-for-the-teeth –  candies, including camote, a popular regional treat made from sweet potatoes and fruit, and cochinitos, which is made of bread, molasses and sugar. Famous treats from other regions like crystallized fruits, coconut candies, and bisnaga, a sweet made from cactus and sugar boiled together, are also available in the many sweet-tasting stores.

Sweets Street was a fitting ending to a city well worth a return visit.

This article is from the August 2001 – September 2001 The Mexico File newsletter.  
Back Issues and Subscriptions available.

Yvonne Moran is a freelance writer and a former general assignment daily reporter. Her stories have been published in The New York Times, Connecticut Post, The Advocate, Greenwich Time, Irish America Magazine and Fairfield County magazines, amongst others. She contributes travel stories to several websites and also writes for national Irish newspapers and magazines. She has been writing about travel for more than a decade. Yvonne contributed an article on Chiapas for the July 2001 issue of Mexico File. Yvonne can be reached through email at ymmoran@aol.com for comments and questions. For this article, she visited one of the Puebla’s most famous pottery factories, but discovered that the city offers a lot more besides.

History of Mexican Talavera Pottery

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Authentic Talavera Pottery - Fruit BowlMoors Contribution

During the 8th century, the Moors from Northern Africa conquered Spain. The Moors brought with them majolica pottery. Majolica is an art form that is known for its unique glazing process and exquisite design details. A major component of majolica is its glazing technique which contains tin as an ingredient. This technique for applying the glaze creates a creamy-white background that is perfect for applying colorful designs. The designs and use of mineral pigments originated from the Moors who conquered Spain and had tremendous influence on all the artistic expressions of Spain.

Egyptian Contribution

During the 8th century, the Arabs controlled Spain. The process of pottery making was first developed in ancient Egypt and was later refined by the Chinese. The production of pottery became very popular as a result of the Arab occupation of Spain. Muslim potters brought knowledge of using different materials and new techniques that radically changed pottery production in Spain. As a result, their influence was widespread. After the expulsion of the Muslims in the 16th and 17th centuries, many potters continued to use the intricate designs and vibrant colors such as copper green and manganese purple-black which were well known in Islamic pottery.

Chinese Contribution

In the late 16th century Spain opened trade with China by way of Mexico. As a result of the Chinese imports, the Mexicans began to incorporate the designs that were found on the Chinese porcelain. For example, the floral and feather motif to fill empty spaces on the blue and white Talavera exhibits Chinese influence. China contributed much of the motifs used today in Mexican talavera. The blue and white color, panel design, and even the barrel-shaped pottery were some of the Chinese influences that we still see today on modern pieces of talavera pottery.

Spanish and Mexican Contributions

The indigenous people of Mexico, long acquainted with making items from clay, had their own distinct method of producing earthenware, one which did not involve glazing or the use of the potter’s wheel. The indigenous people of Mexico had a rich and long history of producing pottery long before the arrival of the Spaniards. However, with the arrival of the Spaniards in the 1600s new techniques such as the wheel, tin based glazes, and new styles were introduced. The combination of the newly learned Spanish techniques and the techniques of the indigenous people of Mexico gave birth to a new form of pottery, talavera. The name talavera is derived from the city Talavera de La Reina, Spain. The Spaniards from this city brought their pottery craftsmanship to the new world and taught the indigenous people of Mexico the art. Mexico was very proud of their new found success in the production of high quality talavera. In order to prevent th talavera from losing its high quality craftsmanship, the Potter’s Guild was formed in 1653. The Potter’s Guild set forth ordinances regulating the production of talavera pottery. The Potter’s Guild was replaced by the Talavera Regulating Council in 1993.

The Moors, Chinese, Egyptians, Spaniards, and Mexicans should all be credited for the creation of Mexican talavera pottery. After their creation, the Potter’s Guild and the Talavera Regulating Council have worked hard to keep talavera authentic and of high quality. The lovely pieces of Mexican talavera pottery are a multicultural, regulated art form that expresses centuries of dedication and gratitude for its heritage. So next time you think, “Mexican talavera pottery,” you will actually be thinking, “Moor, Chinese, Egyptian, Spanish, and Mexican talavera pottery!”

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7 Ways to Distinguish an Authentic Versus a Fake Talavera

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Authentic Talavera Ginger JarAre you interested to own and have been looking for genuine Talavera products?  How would you know that the products offered by online distributors, and offline dealers and retailers are really authentic? Beware of imitations!

Talavera is a tin-enameled earthenware, Majolica pottery made and comes only from Puebla, Mexico, and its nearby communities of Atlixco, Cholula and Tecali.

This world-renowned hand-painted pottery is notable by a milky-white glaze. It comes in different forms, including both functional and decorative pieces such as plates, serving dishes, vases and tiles.

Here are some characteristics of genuine Talavera pottery:

Talavera is made from a mixture of only two clays, a dark clay and a light, slightly rose-colored clay.

The source of clay supply to make the Talavera comes from the Talavera geographic zone of Puebla and the communities of Atlixco, Cholula and Tecali.

Talavera is hand formed with a potter’s wheel or using molds, not poured. They are also hand-painted.

Talavera pieces have gone through two firings. The oven used to fire Talavera should be at least 800 degrees Celsius.

Talavera uses six color pigments, and its color combination enhances the workmanship sophistication of Talavera pieces.

The Talavera item is created by certified workshops in the state of Puebla Mexico using the traditional Talavera process.Workshops producing authentic Talavera are certified by passing an inspection and verification process at least every six months. The Mexican Talavera Regulatory Council regulates the production of Talavera and restricts the use of the term to items produced within the designated zone of Puebla. There are only less than 20 certified workshops producing genuine Talavera.

Certified Talavera pieces bear the signature of the potter, the logo of the workshop and the special hologram that certifies the piece’s authenticity. Only pieces from workshops that meet the standards are certified.

You can buy Talavera in many shops and throughout places in Mexico and globally. Some workshops also offer tours where you can see how it is being made.

There are also a number of shops now that offer non-certified and authentic but still high quality Talavera products.

Authentic Talavera is costly, as every piece is one of its kind and of excellent quality. However, imitations may be as pricey and seemingly unique. You need to be extra careful that your money is really worth the Talavera item you have with.

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Mexican Pottery, Pride of Mexico

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Talavera Ginger Jar by Maximo HuertaWe live in a world where technology, Internet and LCD screens are everyday conversation. But some people  like to take us a break and enjoy the simple things that have been with us for many centuries. In Mexico we are very proud of our Mexican pottery

The pottery was used by our ancestors for everyday use, but also as part of their religious rites. So we can find a wide variety of ways, because although they could be used to bring water, were also placed proudly in the center of the ceremonies that took place.

An authentic pottery is made entirely by hand, using techniques that our ancestors discovered and that even today are passed  by tradition from grandfather to childs. While today are manufactured in serie the fake ceramic, for do a real ceramic is required about a month of work.

Clay usually used for processing, so we can ensure a very strong product that will stand the test of time. Originally this material was used to keep water cool, then before the intense heat of this country, they had a way to maintain a good temperature this vital liquid.

The crafts used for daily use are usually brown, keeping the color of the earth. But for decorating the home is unusual to keep that color, it is common that is decorated with colors that give it new life.

There are different types of Mexican pottery throughout the country, each region has its own style that characterizes it. For example, there Talavera Puebla, which is valued worldwide for its beauty and level of complexity in their development.

If you come to Mexico, you can visit the many states out there. Everyone has their own style, so you probably end up finding something according to your tastes and needs. We have crafts of all sizes and colors for your home.

In conclusion, in Mexico we are very proud of our ceramics. Has a unique globally which is prized by people who know art. Do not be fooled by imitations, the real is reality by craftsmen who are still using ancient methods.

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Go From Bland To Unique With Mexican Tile For Your Home

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Authentic Talavera TileMexican tiles mainly get their inspiration from the culture and history of Mexico. You can find many different types of tiles that all have a specific, unique design on them. The options that you have are limitless, as long as you have enough room for that much tile. With the options that you have, you can either go for hand painted and crafted, or you can purchase them factory made. The factory made tiles are generally less expensive than the hand crafted tiles.

The most popular type of Mexican tile are the ones that are hand crafted, although you also have the option of purchasing factory made tiles. The tile is generally a terracotta tile or ceramic tile that is painted with a unique Mexican design. There are many different types of Mexican tiles, although the most widely used are the hand painted ones such as Talavera tiles.

Mexican Tiles That Are Hand Crafted

You might be wondering what is so special about hand crafted tiles. First of all, you will be receiving a unique style that could never be produced in a factory setting. When you choose to go with hand painted tiles, you are buying something that has so much beauty and character that a factory could never compare. The design that is painted on the tiles depends on culture.

The greatest advantage that you will get from using Mexican tile in your home is the ability to capture the Mexican culture. This is the main reason why hand painted and hand crafted Mexican tiles are so desirable. You can use their design to bring out the rustic Mexican heritage in your home.

Talavera Mexican Tiles

Talavera tiles are considered the most popular type of Mexican tile that there is. These are the tiles that have bright designs and colors that you would find in bathrooms, sinks, kitchens, stairs and backsplashes. When placed together, these ceramic tiles can come in geometrical and symmetrical designs that can create amazing patterns.

The most interesting fact about these tiles is the reasoning behind their design. These tiles are meant to have small flaws, which helps to bring out their rustic appearance and setting. The color of the finish or paint may have small imperfections that help to bring out the Mexican design and culture. The most common size of these tiles is 4×4, but they have also been seen in larger and smaller sizes.

The most amazing thing about using Mexican tiles is that to some extent, the designs and colors will never be the same as another set of tiles. They are unique in their own way and show just how artistic the Mexican culture is. Even if you purchasing plain, solid colored Mexican tiles, they are still able to capture the rustic heritage of Mexican’s. It doesn’t matter whether you are searching for the right type of hand painted tiles, Talavera tiles to use in your sinks or on your walls, or you would prefer Saltillo tiles to use outdoors for your patio, you will be able to capture the Mexican culture in your home.

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Mexican Pottery Like Mexican Pots Unveils The Geographic and Cultural Range of Mexico As A Country

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Authentic Talavera TilesThe different Mexican pottery shows the cultural, geographic and historic diversity of the country of Mexico. Pottery was designed in the course of the pre-classic era around 4500 yrs in the past in Mesoamerica. At that time, the clay pieces that were located reveal the cultural background of the country of Mexico. It utilizes the Spanish procedure of glazing and firing as well as Indian form of shaping and including styles and colors. In time, the hand made ceramics were being exchanged by bulk generate and less expensive wares together with the technical progression. Various of the designs of Mexican Talavera pottery have replaced their domestic ware for beautiful parts. Almost certainly one of the most profitable and most displayed Mexican pottery that one particular can uncover today is definitely the Oaxacan Black clay.

Puebla in the country of Mexico is the base of the Talavera pottery like talavera tile. It’s a variety of majolica pottery recognized by its milky-white glaze. Puebla is the only area where actual pottery emanates from and in addition from close by places such as Cholula, Atlixco and Tecali because of the organic clay quality found in these regions. A lot of this pottery was decorated in blue. Nevertheless, colours like yellow, green, orange, black and mauve are extensively made use of as well. The golden age of Talavera pottery is since the year 1650 to 1750. The culture that established there’s generally known as Talavera Poblana to distinguish it out of the Talavera pottery in Spain. It combines Spanish, Italian and indigenous ceramic solutions.

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Talavera Pottery

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Talavera Plate by Studio La CupulaTalavera Poblana is an exquisite type of pottery whose history goes back hundreds of years. The lovely and beautiful colonial city of Puebla, located just 70 miles from Mexico City, is home to this world-renowned art form. In addition to purchasing authentic Talavera pottery in Puebla, there are many reasons to visit the city, including sampling its fabulous regional cuisine. Some of Puebla’s delectable dishes include their famous mole poblana sauce as well as the seasonal delicious dish of chiles en nogada. Additionally, the historic center of Puebla has been named a UNESCO World Heritage Site. Undoubtedly, one of the reasons for this honor is due to the absolutely stunning tile work that decorates the town’s historic colonial buildings.

Mexico has a rich and long history with producing ceramics, predating the arrival of the Spanish by several centuries. Stunning pre-Columbian artifacts from its many civilizations attest to this fact. The indigenous peoples of Mexico, long acquainted with making items from clay, had their own distinct method of producing earthenware, one which did not involve glazing or the use of the potter’s wheel.

Shortly after Puebla was founded in 1531, the Spanish feverishly began building churches, monasteries and convents. To decorate these buildings, craftsman from the city of Talavera de la Reina, located in Spain, were commissioned to come to the New World to produce fine tiles as well as other ceramic ware. In addition, these same craftsman were to teach the indigenous artisans their technique of Majolica pottery, in order to increase production levels.

The tradition that the Spanish craftsmen brought from Talavera de la Reina to the New World has a fascinating history. During the 8th century, the Moors from Northern Africa conquered Spain and with their arrival, the customary blending of cultures occurred. One such consequence was the introduction of Majolica pottery, an art form known for its beautiful glazes and intricate design work. A major component of Majolica is its glazing technique which contains tin as an ingredient. This particular type of glaze provides a creamy white background that is ideal for applying design.

Spanish craftsman from Talavera de la Reina embraced the techniques of Majolica and also added to the art form. Chinese and Italian influences were incorporated and guilds of craftsmanship, where strict adherence to technique were required, were formed. This dedication was brought from Spain to Mexico. Guilds were summarily established in Mexico with appropriate standards and regulations. The indigenous craftsmen incorporated their artistic heritage with the techniques of Majolica pottery. A beautiful marriage was formed between the old world and the new, and Puebla became the birthplace of an exquisite art form known as Talavera Poblana.

An elaborate process is involved in making a piece of Talavera pottery. First, comes the selection of the clay, which is chosen from the area of Puebla and nearby vicinities. The clay found in this region is known for its fine quality. After a detailed process of washing and soaking the clay, it is then hand-formed or shaped on a potter’s wheel into its desired form. Next, it is allowed to dry in the sun for a matter of days, after which it is fired at 2,000 degrees Fahrenheit. A test is performed at this point, making sure there are no cracks in the object. This is followed by an initial glazing process after which the hand-painted design is applied. This stage differs in length, dependent upon the intricacy of the design work involved. A final firing is performed. Before being offered for sell, a certification process is next on the agenda. This is to ensure that the piece meets regulations and the level of excellence in craftsmanship has been achieved. It is at this time, provided all conditions have been met, that the piece is stamped with the maker’s mark along with a registration number.

One characteristic of authentic Talavera pottery is the quality of detail in the painting, expertly applied. There is a raised appearance to the painted line, accompanied by a glossy sheen. Only natural earth pigments are used for the colors found in true Talavera. In its early days, the finest pottery was painted with a deep blue mineral, the most expensive pigment. This color motif, placed on the creamy white of the fired clay, was much sought after. It also provided a quality measure, reassuring the buyer that the piece they were purchasing was of the highest caliber. Other colors were introduced in 18th century, including yellow, green and mauve.

Today, when visiting the city of Puebla, you will be able to purchase authentic Talavera tiles, vases and dishes, along with many other fine Talavera objects. As well, you can see first-hand how Talavera tiles were used extensively in the decoration of the city’s historic churches, monasteries and ex-convents.

Article source: MexOnline.com

Centuries-Old Art of Making Talavera Pottery

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MH461a - Talavera PlateSince its introduction by Spanish settlers in the 16th century, talavera pottery has become synonymous with Puebla. The beautifully hand-crafted ceramics, which take the form of everything from garden tiles to dinnerware, adorn building fronts in the historic center, replace china sets in Mexican households, and travel home with visitors as souvenirs. Talavera is so revered that President Calderón ordered a special bicentennial pattern last year for his Independence Day state dinner; Governor Rafael Moreno Valle buys centerpieces to give as personal gifts; and collectors worldwide seek out new and historical pieces to display as fine art.

The local tradition of making talavera started shortly after the city of Puebla was founded in 1531. “The Spanish feverishly began building churches, monasteries, and convents,” notes MexOnline.com. “To decorate these buildings, craftsman from Talavera de la Reina … were commissioned to come to the New World to produce fine tiles as well as other ceramic ware. In addition, these same craftsman were to teach the indigenous artisans their technique of Majolica pottery, in order to increase production levels.”

Nearly 500 years later, artisans continue to produce talavera in Puebla. In fact, the capital city is home to the longest continuously operating factory in Mexico and perhaps the world: Uriarte Talavera. Uriarte is one of the oldest businesses in the country, ranking in the top 10 behind José Cuervo’s tequila distillery in Jalisco and several other well-known enterprises.

Excerpt from Pueblo-Mexico.com

Travelling Talavera Exhibits

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Several temporary and travelling Talavera exhibits of certain themes have been created from these permanent collections. One of these was called “El Aguila en la Historia de Mexico” (The Eagle in the History of Mexico). The forty-two-piece exhibit was sponsored by the Senate of Mexico to show how the eagle symbol has been used in the country throughout its history. This exhibit was sponsored in honor of the Bicentennial of Independence in 2010. These ceramics were chosen because of their combination of art and utility. Eagles depicted include that of Mexico’s coat of arms, as well as those of political figures such as José María Morelos y Pavón and Porfirio Díaz, and those used by institutions such as the Royal and Pontifical University of Mexico and the Mexican Senate itself.

Authentic Talavera TileAnother exhibit in Mexico centered on the creation of maps using Talavera tile. Most tiles during the colonial period were decorated with flowers and landscapes but a significant number were painted to create murals with maps. Those that survive show how a number of cities developed over the colonial period. Eight of the most representative 16th-century Talavera tile maps were at the El Carmen Museum at an exhibit called “Cartografia: Una Vision en Talavera del Mexico Colonial” (Cartography: A Talavera Vision of Colonial Mexico). This exhibit was of reproductions of the originals created by the Talavera de la Luz workshop in Puebla. The chosen maps show the development of Mexico City as well as representations of the Acapulco, Puebla and the Tesuco regions during this time period.

Exhibits have been held outside of Mexico as well. The Museum of the Americas in Spain held an exhibit called “Talaveras de Puebla, Cerámica colonial Mexicana. Siglos XVII a XXI” (Talavera Pottery of Puebla, Mexican colonial ceramics, XVII to 21st centuries). This was a temporary exhibit of 49 pieces, combined with pieces from Spain and China as references. The pieces were loaned by the Franz Mayer Museum and the Bello Museum.