Talavera Poblana is an Exquisite Type of Pottery

Authentic Talavera Pottery from Puebla, MexicoTalavera Poblana is an exquisite type of pottery whose history goes back hundreds of years. The lovely and beautiful colonial city of Puebla, located just 70 miles from Mexico City, is home to this world-renowned art form. In addition to purchasing authentic Talavera pottery in Puebla, there are many reasons to visit the city, including sampling its fabulous regional cuisine. Some of Puebla’s delectable dishes include their famous mole poblana sauce as well as the seasonal delicious dish of chiles en nogada. Additionally, the historic center of Puebla has been named a UNESCO World Heritage Site. Undoubtedly, one of the reasons for this honor is due to the absolutely stunning tile work that decorates the town’s historic colonial buildings.

Mexico has a rich and long history with producing ceramics, predating the arrival of the Spanish by several centuries. Stunning pre-Columbian artifacts from its many civilizations attest to this fact. The indigenous peoples of Mexico, long acquainted with making items from clay, had their own distinct method of producing earthenware, one which did not involve glazing or the use of the potter’s wheel.

Shortly after Puebla was founded in 1531, the Spanish feverishly began building churches, monasteries and convents. To decorate these buildings, craftsman from the city of Talavera de la Reina, located in Spain, were commissioned to come to the New World to produce fine tiles as well as other ceramic ware. In addition, these same craftsman were to teach the indigenous artisans their technique of Majolica pottery, in order to increase production levels.

The tradition that the Spanish craftsmen brought from Talavera de la Reina to the New World has a fascinating history. During the 8th century, the Moors from Northern Africa conquered Spain and with their arrival, the customary blending of cultures occurred. One such consequence was the introduction of Majolica pottery, an art form known for its beautiful glazes and intricate design work. A major component of Majolica is its glazing technique which contains tin as an ingredient. This particular type of glaze provides a creamy white background that is ideal for applying design.

One characteristic of authentic Talavera pottery is the quality of detail in the painting, expertly applied. There is a raised appearance to the painted line, accompanied by a glossy sheen. Only natural earth pigments are used for the colors found in true Talavera. In its early days, the finest pottery was painted with a deep blue mineral, the most expensive pigment. This color motif, placed on the creamy white of the fired clay, was much sought after. It also provided a quality measure, reassuring the buyer that the piece they were purchasing was of the highest caliber. Other colors were introduced in 18th century, including yellow, green and mauve.

Today, when visiting the city of Puebla, you will be able to purchase authentic Talavera tiles, vases and dishes, along with many other fine Talavera objects. As well, you can see first-hand how Talavera tiles were used extensively in the decoration of the city’s historic churches, monasteries and ex-convents.

The Pottery District of Puebla

Handpainted Talavera PotteryFor three centuries a maiolica pottery industry flourished in the Spanish colonial city of Puebla, Mexico. Throughout that time it enjoyed a virtual monopoly in supplying tableware for provincial users of New Spain. It also successfully competed with peninsular Spanish and other European products in more outlying areas in the Caribbean basin. Its colorful tile became a distinguishing hallmark of Puebla architecture. Yet, much of the suggested dating for the various decorative styles that evolved during the course of those centuries has come from finds outside of central Mexico, principally ones scattered from Florida to California along the northern borderlands of the former vice royalty.

A more secure and refined chronology derived from stratified materials at or near the original source of the pottery is essential for future research in all sites, whatever side of the international border, where those ceramics are present. With that objective in mind, in the summer of 1981 a search was undertaken within Puebla for undisturbed ceramic deposits suitable for seriation. Preliminary to that search was the determination of the probable locations of the old work yards. That proved to be a relatively easy task, with results of potentially more importance than simply dating of artifacts.

Once the pottery workshop locations were graphically plotted on a map, it was obvious for the first time that a well defined potters’ quarter had existed in Puebla from shadowy beginnings in the late 16th century into the 20th century. Quite likely both unglazed or lead glazed utility vessels and tin glazed tablewares and tiles were made there, though not in the same household factories nor by the same artisans. At a time estimated to be about, the middle of the 19th century (hence the Mexican rather than Spanish period), a second district toward the eastern suburbs began to house small potteries given over to mass production of utilitarian objects.

Mexican Talavera Pottery

Talavera isn’t just any kind of pottery, though, and not just any artisan can make it. The form, which is known in Spain as majolica, is a tin-enameled earthenware whose hard white glaze provides a backdrop against which the vivid glazes applied to it can visually pop. And those vivid glazes are selected carefully; in fact, for Mexican talavera to be considered authentic, it can only be painted in one or more of six colors– black, blue, green, orange, yellow, or mauve–all of which must be made of natural dyes and all of which must be painted onto the piece of tile or pottery by hand. The clay, a mix of a lighter and darker barro, must also come from Puebla and the forms into which it is shaped are fired twice. The process is hands-on, time-intensive, and elaborate.

In Mexico, the center of authentic talavera production is the state of Puebla, whose artisans have been renowned for the ceramic form since it was introduced to the country. In fact, Puebla has denominación de orígen status as the source of authentic talavera, and though the tradition of this art form originated in Europe, local producer Uriarte claims that Puebla is the largest producer of talavera in the world today. Read full article here:  The Latin Kitchen

Talavera Poblana: Four Centuries of a Mexican Ceramic Tradition

61HB0K548HL._SX362_BO1,204,203,200_Talavera Poblana: Four Centuries of a Mexican Ceramic Tradition was an historical survey presenting the history of Mexican Talavera ceramics tin-glazed earthenware, from its Spanish roots through contemporary manifestations. The exhibition’s historical section included objects borrowed from important New York collections, the latter portion presented contemporary interpretations of this traditional medium by Mexican and foreign artists, selected from the collection of the Museo Amparo in Puebla, Mexico.

The show was curated by Margaret Connors McQuad, Assistant Curator of Ceramics and Furniture, at The Hispanic Society of America, New York and included ceramic basins, vases, bowls, drug jars, as well as sculptures of various shapes and sizes.

The early production of Talavera Poblana was primarily influenced by Old World traditions brought over by immigrant ceramists from various parts of Spain. Talavera initially referred to the city of Talavera de la Reina in the Province of Toledo, Spain. Talavera Poblana refers to the tradition of ceramic production in Puebla, Mexico with its unique style that combines motifs and surface decorations from different cultures and origins.

Historical Talavera Information

Talavera Plates from MexicoIn the early 20th century, interest developed in collecting Talavera. In 1904, an American by the name of Emily Johnston de Forrest discovered Talavera on a trip to Mexico. She became interested in collecting the works, so she consulted scholars, local collectors and dealers. Eventually, her collection became the base of what is currently exhibited in theMetropolitan Museum of Art in New York. Her enthusiasm was passed onto Edwin Atlee Barber, the curator of the Pennsylvania Museum of Art. He, too, spent time in Mexico and introduced Talavera into the Pennsylvania museum’s collection. He studied the major stylistic periods and how to distinguish the best examples, publishing a guide in 1908 which is still considered authoritative.

During this time period, important museum collections were being assembled in Mexico as well. One of the earliest and most important was the collection of Francisco Perez Salazer in Mexico City. A bit later, in the 1920s, Franz Mayer, a German-born stockbroker, started his collection. In Puebla, he was considered a bit crazy for buying all of the “old stuff” from the locals. In 1986, the Franz Mayer Museum opened in Mexico City with the largest collection of Talavera Poblana in the world – 726 pieces from the 17th through the 19th century, and some 20th-century pieces by Enrique Luis Ventosa. In Puebla, José Luis Bello y González and his son José Mariano Bello y Acedo sought the advice of Ventosa in starting their collection. They amassed the largest and most important collection in the city which now is housed in the José Luis Bello y González Museum (Bello Museum).

More recently, the Museo de la Talavera (Talavera Museum) has been established in the city of Puebla, with an initial collection of 400 pieces. The museum is dedicated to recounting the origins, history, expansions and variations in the craft. Pieces include some of the simplest and most complex, as well as those representing different eras.

Several temporary and travelling exhibits of certain themes have been created from these permanent collections. One of these was called “El Aguila en la Historia de Mexico” (The Eagle in the History of Mexico). The forty-two-piece exhibit was sponsored by the Senate of Mexico to show how the eagle symbol has been used in the country throughout its history. This exhibit was sponsored in honor of the Bicentennial of Independence in 2010. These ceramics were chosen because of their combination of art and utility. Eagles depicted include that of Mexico’s coat of arms, as well as those of political figures such as José María Morelos y Pavón and Porfirio Díaz, and those used by institutions such as the Royal and Pontifical University of Mexico and the Mexican Senate itself.

Maiolica Pottery – Pass the Talavera Please

MH460a Talavera, in Puebla, Mexico, is a type of Maiolica pottery, which is distinguished by a milky-white glaze. Authentic Talavera pottery only comes from the city of Puebla and the nearby communities of Atlixco, Cholula, and Tecali, because of the quality of the natural clay found there and the tradition of production which goes back to the 16th century. Much of this pottery was decorated only in blue, but colors such as yellow, black, green, orange and mauve have also been used. Maiolica pottery was brought to Mexico by the Spanish in the first century of the colonial period. Production of this ceramic became highly developed in Puebla because of the availability of fine clays and the demand for tiles from the newly established churches and monasteries in the area. The industry had grown sufficiently that by the mid-17th century, standards and guilds had been established which further improved the quality, leading Puebla into what is called the “golden age” of Talavera pottery (from 1650 to 1750).

Some pieces are from the renowned studio of Maximo Huerta, these pieces represent the finest in authentic Talavera. Hand-thrown from the rich soils of Puebla, then fired and finished in a classic blend of precision and artistry, each design is a beautiful work of art. His ginger jars are just exquisite. MH461a - Talavera Plate

A Talavera Ginger Jar by Maximo Huerta exudes true style and grace. Intimately detailed with delicate hand-painted designs, it is a work of art that will become the centerpiece in any space.

Our Talavera planters feature wonderfully intricate floral patterns that will look great with your plants, indoors or out! The ceramic of these Talavera planters is hand-painted in Dolores Hidalgo, Mexico, and embodies all the classic charm of Mexican Talavera. Available in several shapes and sizes, all Talavera planters also feature a convenient drain hole. Let the bright colors and your plants breathe life back into your home decor!

Whether you keep fresh fruit or wax fruit in your house on display, the Talavera fruit bowl is the perfect dish for display. Many of these Talavera fruit bowls can also double as a punch bowl for when you throw parties. Each is handmade and hand-painted by skilled artists in Mexico. By using modern, high-temperature kilns each Talavera fruit bowl is sure to have a strong and durable finish making them crack and chip resistant.

Talavera for Coffee or Tea!

1340651185-tts038aIt’s a beautiful day on the hacienda and a perfect day to bring out the good china right? Not so fast. No need to make your get together or tea party for the girls stuffy and overdone.

The idea is to enjoy the day with attractive and beautifully designed pieces that are not intimidating yet very elegant indeed.

If you are searching for an elegant coffee or tea set to use not only for special occasions, but also for everyday use, then try our handmade Talavera tea and coffee sets. With every set having its own unique design, you are sure to find a coffee set that you will love. These Talavera coffee/tea sets are 100% lead free, microwave safe, and won’t easily chip or crack. Each coffee set is available in a 4, 6, or 8 person setting.

Use the colorful Talavera snack trays to highlight your dining table or any serving area with authentic Mexican style! Each Talavera snack tray is handmade and hand-painted by the artisans of the Tomas Huerta studio. They are great for serving your favorite snacks and hors d’oeuvres or tea sandwiches. Be sure to view the Tomas Huerta studio plates as well to complete a table set! Each authentic snack tray includes an eyelet for wall hanging and is 100% lead free; chip resistant; and microwave, oven, and dishwasher safe and easy to store.

Other items from the Talavera Pottery category, including our Talavera sinks, canisters, planters, andfruit bowls, come from the historic city of Dolores Hidalgo. Every design is painted by hand, and all plates and platters are made with an eyelet on the back for hanging on walls. So whether for home decoration or for day-to-day use in the dining room, our extensive selection of authentic Talavera pottery is sure to make a wonderful addition to your home décor.

Talavera is a type of Maiolica Pottery

Talavera from Puebla MexicoPass the Talavera Please! Talavera, in Puebla, Mexico, is a type of Maiolica pottery, which is distinguished by a milky-white glaze. Authentic Talavera pottery only comes from the city of Puebla and the nearby communities of AtlixcoCholula, and Tecali, because of the quality of the natural clay found there and the tradition of production which goes back to the 16th century.  Much of this pottery was decorated only in blue, but colors such as yellow, black, green, orange and mauve have also been used.  Maiolica pottery was brought to Mexico by the Spanish in the first century of the colonial period. Production of this ceramic became highly developed in Puebla because of the availability of fine clays and the demand for tiles from the newly established churches and monasteries in the area. The industry had grown sufficiently that by the mid-17th century, standards and guilds had been established which further improved the quality, leading Puebla into what is called the “golden age” of Talavera pottery (from 1650 to 1750).

Some pieces are from the renowned studio of Maximo Huerta, these pieces represent the finest in authentic Talavera. Hand-thrown from the rich soils of Puebla, then fired and finished in a classic blend of precision and artistry, each design is a beautiful work of art. His ginger jars are just exquisite.

This Talavera Ginger Jar by Maximo Huerta exudes true style and grace. Intimately detailed with delicate hand-painted designs, it is a work of art that will become the centerpiece in any space.

Our Talavera planters feature wonderfully intricate floral patterns that will look great with your plants, indoors or out! The ceramic of these Talavera planters is hand-painted in Dolores Hidalgo, Mexico, and embodies all the classic charm of Mexican Talavera. Available in several shapes and sizes, all Talavera planters also feature a convenient drain hole. Let the bright colors and your plants breathe life back into your home decor!

Whether you keep fresh fruit or wax fruit in your house on display, the Talavera fruit bowl is the perfect dish for display. Many of these Talavera fruit bowls can also double as a punch bowl for when you throw parties. Each is handmade and hand-painted by skilled artists in Mexico. By using modern, high-temperature kilns each Talavera fruit bowl is sure to have a strong and durable finish making them crack and chip resistant.

 

Talavera Pottery

Authentic Talavera from MexicoTalavera pottery is a unique art form produced in Puebla, Mexico. Although it has a long history, little is known concerning the aspects that contribute to perceptions of authenticity. A study of people who purchase Talavera found that authenticity encompasses five main factors: Appearance/Utility, Tradition and Certification, Difficult to Obtain, Locally Produced, and Low Cost.

There are differences with respect to the perception of authenticity with regard to appearance/utility and locally produced. Local tourists view authenticity through appearance and utility while international visitors are more concerned with the pottery being locally produced by local residents.  The challenge for the people of Puebla is to continue to encourage interest in Talavera production while attempting to maintain its perception of authenticity and uniqueness among local residents and visitors to the region.

U.S. Discovery of Talavera on a trip to Mexico

MH456a - Talavera PlateIn the early 20th century, interest developed in collecting Talavera Pottery. In 1904, an American by the name of Emily Johnston de Forrest discovered Talavera on a trip to Mexico. She became interested in collecting the works, so she consulted scholars, local collectors and dealers. Eventually, her collection became the base of what is currently exhibited in theMetropolitan Museum of Art in New York. Her enthusiasm was passed onto Edwin Atlee Barber, the curator of the Pennsylvania Museum of Art. He, too, spent time in Mexico and introduced Talavera into the Pennsylvania museum’s collection. He studied the major stylistic periods and how to distinguish the best examples, publishing a guide in 1908 which is still considered authoritative.

During this time period, important museum collections were being assembled in Mexico as well. One of the earliest and most important was the collection of Francisco Perez Salazer in Mexico City. A bit later, in the 1920s, Franz Mayer, a German-born stockbroker, started his collection. In Puebla, he was considered a bit crazy for buying all of the “old stuff” from the locals. In 1986, the Franz Mayer Museum opened in Mexico City with the largest collection of Talavera Poblana in the world – 726 pieces from the 17th through the 19th century, and some 20th-century pieces by Enrique Luis Ventosa. In Puebla, José Luis Bello y González and his son José Mariano Bello y Acedo sought the advice of Ventosa in starting their collection. They amassed the largest and most important collection in the city which now is housed in the José Luis Bello y González Museum (Bello Museum).

More recently, the Museo de la Talavera (Talavera Museum) has been established in the city of Puebla, with an initial collection of 400 pieces. The museum is dedicated to recounting the origins, history, expansions and variations in the craft. Pieces include some of the simplest and most complex, as well as those representing different eras.

Several temporary and travelling exhibits of certain themes have been created from these permanent collections. One of these was called “El Aguila en la Historia de Mexico” (The Eagle in the History of Mexico). The forty-two-piece exhibit was sponsored by the Senate of Mexico to show how the eagle symbol has been used in the country throughout its history. This exhibit was sponsored in honor of the Bicentennial of Independence in 2010. These ceramics were chosen because of their combination of art and utility. Eagles depicted include that of Mexico’s coat of arms, as well as those of political figures such as José María Morelos y Pavón and Porfirio Díaz, and those used by institutions such as the Royal and Pontifical University of Mexico and the Mexican Senate itself.

Another exhibit in Mexico centered on the creation of maps using Talavera tile. Most tiles during the colonial period were decorated with flowers and landscapes but a significant number were painted to create murals with maps. Those that survive show how a number of cities developed over the colonial period. Eight of the most representative 16th-century Talavera tile maps were at the El Carmen Museum at an exhibit called “Cartografia: Una Vision en Talavera del Mexico Colonial” (Cartography: A Talavera Vision of Colonial Mexico). This exhibit was of reproductions of the originals created by the Talavera de la Luz workshop in Puebla. The chosen maps show the development of Mexico City as well as representations of the Acapulco, Puebla and the Tesuco regions during this time period.

Exhibits have been held outside of Mexico as well. The Museum of the Americas in Spain held an exhibit called “Talaveras de Puebla, Cerámica colonial Mexicana. Siglos XVII a XXI” (Talavera Pottery of Puebla, Mexican colonial ceramics, XVII to 21st centuries). This was a temporary exhibit of 49 pieces, combined with pieces from Spain and China as references. The pieces were loaned by the Franz Mayer Museum and the Bello Museum.