More than 300 years Later, Talavera Pottery Still Endures

tgj040Travel across Mexico, and you’ll see all sorts of signs of Spanish influence that date back to the colonial era. Architecture, of course, is chief among them—those ornate churches and stately, airy casonas that still demand admiration– but there’s also Talavera, a type of pottery that was introduced to Mexico from Spain in the mid-17th-century. More than 300 years later, the popular style endures.

Age-old techniques have been passed down from generation to generation by master craftsmen.  These techniques produce unique pieces that are truly works of art.  Vibrant colors and delicate details are trademarks of Talavera pottery that give it the characteristic color and brilliance known only to Talavera ware. The detail is outstanding, and due to the kiln’s high firing temperature all our Talavera dishware is also crack and chip resistant.

Within Mexico, this style dates back to the 16th century colonial era when it was first introduced to Mexico by Spanish guild artisans. Thus today, Mexican Talavera reflects the diverse cultural heritage inherited from the Orient, the Italian Renaissance, the Moors, Spain and the indigenous people of Mexico.

Every jar and vase available at La Fuente Imports is handmade of clay in the classic Talavera style and then hand-painted by specialized artists outside of Dolores Hidalgo, Mexico.

Talavera Potters in History

There were a number of potters in sixteenth-century Puebla who were originally from the Spanish city of Talavera de la Reina: Gaspar de Encinas and son, as well as their in-law, Diego Gaytan. Though the birthplace of certain potters has yet to be determined, in some cases their last names correspond to families of potters in Puebla.

	 Talavera Jar w/ Butterflies

In the seventeenth century eight Spanish potters were identified (four of whom were orig­inally from Seville, two from Cadiz, one from Barcelona and the other from Galicia), as well as a potter from Portugal and two from Italy. Some emigrated at an early age, completing their apprenticeship in Puebla with established pot­ters, as was the case of Damian Hernandez who studied under Alejandro Pessaro in 1601; and Miguel Perez who studied under Sebastian de Villardel in 1609, both of whom later became important potters in their own right.

Others arrived in Puebla already trained in their craft and consequently influenced the shape and design of ceramics in Puebla, including potters such as the elder Gaspar de Encinas, Alejandro Pessaro. Juan Rodriguez de Herrera, Juan Bautista SalomOn, Antonio de Vega, Diego Gaytan, Jose Escoto, Sebastian de Villardel and Diego Salvador Carreto. No Spanish potters have been identified since the eighteenth century. Those identified were originally from Puebla though they consid­ered themselves Spanish, that is, chaos. There were also potters who identified themselves as “dark-skinned” or mestizo. Its important to em­phasize the Ordinances which, in fact, deter­mined that only Spaniards could take the exami­nation which would afford them the title of mas­ter potter, even though workshop artisans and servants were mostly indians, mulattos and blacks. By the late eighteenth century, mestizos and mulattos were eventually allowed to qualify for this examination.

On August 5, 1652, “light and dark skinned” pot­ters from Puebla gathered and authorized Diego Salvador Carreto to ask that the viceroy establish examinations and publish Ordinances “determin­ing the conditions, grievances, obligations and circumstances required for the benefit of the craft.” Viceroy Luis Enriquez de Guzman, Count of Alva de Liste, answered the petition and issued an order addressed to the mayor of Puebla ask­ing him to arrange a meeting so that potters could elect an inspector and two deputies to write the Ordinances.

Article excerpt from Artes de Mexico Magazine – June 1992